Le Pétrole en gros ne Peignant pas de Minimum
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1771-73 Frick Collection, New York 1771-73
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mk76 A Peint dans 1771-73 Pétrole sur le canevas mk76
Painted in 1771-73
Oil on canvas
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mk167 c. 1895 Watercolo surla soie mk167
c.1895
Watercolo on silk
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mk240
1854
Oil on canvas
129x149cm
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between 1465(1465) and 1474
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between 1465(1465) and 1474
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between 1465(1465) and 1474
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Date between 1465(1465) and 1474
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Date between 1465(1465) and 1474
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Date between 1465(1465) and 1474
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1884
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Marie Bashkirtseff
(Russian: November 11, 1858 October 31, 1884) was a Ukrainian-born Russian diarist, painter and sculptor.
Marie BashkirtseffBorn Maria Konstantinovna Bashkirtseva in Gavrontsy near Poltava, to a wealthy noble family, she grew up abroad, traveling with her mother across most of Europe. Educated privately, she studied painting in France at the Acad??mie Julian, one of the few establishments that accepted female students. The Acad??mie attracted young women from all over Europe and the United States. One fellow student was Louise Breslau who Marie viewed as her only rival. Marie would go on to produce a remarkable body of work in her short lifetime, the most famous being the portrait of Paris slum children titled The Meeting and In the Studio, (shown here) a portrait of her fellow artists at work. Unfortunately, a large number of Bashkirtseff's works were destroyed by the Nazis during World War II.
From the age of 13, she began keeping a journal, and it is for this she is most famous. Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie. Titled, I Am the Most Interesting Book of All, her popular diary is still in print today. The diary was cited by an American contemporary, Mary MacLane, whose own shockingly confessional diary drew inspiration from Bashkirtseff's. Her letters, consisting of her correspondence with the writer Guy de Maupassant, were published in 1891.
The grave of Marie BashkirtseffDying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to become an intellectual powerhouse in Paris in the 1880s. A feminist, in 1881, using the nom de plume "Pauline Orrel," she wrote several articles for Hubertine Auclert's feminist newspaper, La Citoyenne. One of her famous quotes is: Let us love dogs, let us love only dogs! Men and cats are unworthy creatures.
The Meeting 1884
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Related Paintings to Marie Bashkirtseff :. | christ on the mount of olives | On the Eltham Road | Family Portrait in a Landscape | Self-portrait, bust showing hands | Frohliches Paar.Sogenanntes Selbstbildnis mit Saskia | |
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CONTACTER DES Etats-Unis
Xiamen Chine Pétrole en gros Peignant la Barre de Civière Cadre en gros Moulant le Miroir Tableaux Tendus Encadrés |
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